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Global Institute: Experiments in Transnational Education
The Global Institute as part of the 7th Gwangju Biennale Annual Report: A Year in Exhibitions is a two-part educational program with Session 1 (August 11~August 23, 2008) and Session 2 (September 24~September 27, 2008).

The Global Institute Session 1: Workshops in Seoul and Gwangju
(August 11~August 23, 2008)


The Session 1, held in collaboration with Korea National University of Arts, Seoul and Chonnam National University, Gwangju, is organized into a series of workshops and clinics within two programs, Open Studio and Arenas and Systems. In both programs, participants will work with a rich community of artists, curators, critics, and intellectuals, to examine the theoretical and historical questions currently being raised around contemporary art.

Open Studio begins with the interrogation of the current status of the artist studio and in so doing will raise questions about where a studio is located in the changing context of global art practice. At a time when the artist’s studio has shifted into a veritable factory floor, a kind of manufactory employing legions of skilled labor, considerations of artistic production could be seen as moving from the ethos of small scale production to one of hyper production, a condition exemplified by the practices of contemporary artists from Warhol to Murakami, Hirst, Koons, Matthew Barney, Olafur Eliasson, Ai Weiwei, Zhang Huang. In this series of seminars and colloqiuia, invited speakers, artists, architects will consider issues of conditions of production, examining how artists shift between multivalent platforms of thinking and making. The meetings will address scales, modes, contexts, models, and conditions of production, from art academies, artist residencies, workshops, travel grants, independent study programs as perhaps part of the global manufactory of itinerant trajectories. Open Studio considers the studio as a site of inquiry, experimentation, and elaboration, a space for meditation on various modes of production.

Arenas and Systems In a year when 11 international Biennials, Triennials, and the Olympic Quadrennial will open between June and September in the Asia Pacific region in 11 cities bidding for global cultural relevance with the Beijing Olympics sited at the core, it may be possible to suggest, that we may be witnessing the beginning of the Asian century. In the same way the 19th century was the European century and the 20th century was the American century, there is no doubt, that Asia today represents and incubates the same forces and energies of modernity of the last two centuries. Given this scenario, new situations and institutions are emerging in Asia that elaborate a new and unique deployment of the politics of spectacle. This emergence requires critical consideration and reflection. As with Open Studio, Arenas and Systems will involve various curators, critics, artists, and thinkers will be conducted in the form of a series of workshops, seminars, and colloquia to take place as the exhibition begins in early September.

Lecturers and workshop leaders include: this year’s Gwangju Biennale’s Artistic Director and curators (Okwui Enwezor, Ranjit Hoskote, Hyunjin Kim, Claire Tancons, Abdellah Karroum, Sun Hyen Park, Patrick Flores, Jang Un Kim), participating artists( Bingyi Huang, Juan Maidagan, Jin Won Lee, MYDADA, Tania Bruguera and Arte de Conducta, Karyn Olivier, Jewyo Rhii, etc.), and renowned professors of Korea National University of Arts and Chonnam National University (Sunjung Kim, Hyungmin Pai, Suk Won Jang, Soo Jong Yoon and so on).

 

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